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    <title>032c Magazine</title>
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    <description>Articles from 032c Magazine</description>
    <language>en</language>
    <lastBuildDate>Mon, 21 Sep 2026 16:16:14 GMT</lastBuildDate>
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      <title>032c Magazine</title>
      <link>https://magazine.032c.com/magazine</link>
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    <item>
      <title><![CDATA[From CGI to IRL and Back Again: Sucuk und Bratwurst Looks Back on the 2018 Bread&&Butter Festival]]></title>
      <link>https://magazine.032c.com/magazine/from-cgi-to-irl-and-back-again-sucuk-und-bratwurst-looks-back-on-the-2018-bread-and-and-butter</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/ea7933045ed42f1bb3eea38400a03f554ed2c058-2940x3188.jpg" /><br/>Looking at the double ampersand, you had a subcurrent sense of familiarity before you understood why: the logo for the 2018 Bread&&Butter by Zalando—a festival of fashion, music, and culture—was a contorted version of the iconic waterpipes that run along the graffiti-sprayed Berlin wall. The humorous and bizarre nature of the 3-D imagery belonged, of course, to the creative studio Sucuk und Bratwurst. Founded by the childhood friends Alessandro Belliero, David Gönner, Denis Olgac, and Lukas Olgac, Sucuk und Bratwurst made a name for themselves in the mid-2010s as CGI savants, with a surreal aesthetic that left a thumbprint on every work. The studio has a knack of instantiating dream-like distortions, mobilizing  . For legacy streetwear brands and underground music labels alike, working with Sucuk und Bratwurst helped their attempts to modernize by embedding their products into a digital landscape in flux.  Though CGI remains a significant component of Sucuk und Bratwurst’s work, the st]]></description>
      
      <category>Culture</category>
      <pubDate>Mon, 21 Sep 2026 08:59:47 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/from-cgi-to-irl-and-back-again-sucuk-und-bratwurst-looks-back-on-the-2018-bread-and-and-butter</guid>
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      <title><![CDATA[WHAT WE BELIEVE v2.0: “WHAT MAGAZINES DO”]]></title>
      <link>https://magazine.032c.com/magazine/what-we-believe-v2-0-what-magazines-do</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/1cdb67835c190a990270c24629beeeecd309c6fd-1900x2110.png" /><br/>In the 032c archive, we highlight the best pieces from over 25 years of printmaking. In this piece from   (Summer 2026), Victoria Camblin constructs an urgent sequel to her original   manifesto that appeared a decade earlier. Limited copies of  A brand pays a culture worker 15k to make a deck predicting next year’s trends. The cultural shifts described in the PDF are then distilled into the brand’s market strategy and production line. If consumer behaviors are predicted to orient around mindfulness, the brand cancels colorways that don’t support emotional wellness and doubles down on upcycling and natural fibers. If the kids are projected to join book clubs, creative direction puts some Penguin Classics behind the models in the collection campaign, and special projects stages a series of library pop-ups. As long as the predictions influence the product, the trend forecaster will always be right. That is not fortune-telling. It is self-fulfilling prophecy. This phenomenon seems relative]]></description>
      
      <category>Culture</category>
      <pubDate>Fri, 18 Sep 2026 15:35:02 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/what-we-believe-v2-0-what-magazines-do</guid>
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      <title><![CDATA[A Reason to Get Close: Escentric Molecules Opens its Berlin Boutique]]></title>
      <link>https://magazine.032c.com/magazine/a-reason-to-get-close-escentric-molecules-opens-its-berlin-boutique</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/9c2e3d4bdfe5f25194e1c77793b33379d425f36d-5464x8192.jpg" /><br/>“It’s like a German techno fragrance,” says Escentric Molecules co-founder and creative director Paul White of Molecule 01, the perfume that started it all for the boutique fragrance house. Crafted by the master perfumer and Escentric Molecules co-founder Geza Schoen, Molecule 01 consists, as the name implies, of a single molecule: Iso E Super. The molecule is thought of as an antidote to the tasteless maximalism of perfumes that assault your nostril cavities and disappear as quickly as they came. Molecule 01, as Schoen emphasizes, is a fragrance that resonates subliminally in the mind from the merest passing encounter. Just as techno expresses the complexity of texture that one can produce from delicate alterations in a repetitive sequence of notes, so does the repertoire of Escentric Molecules embody the richness of scents achievable from a reduced base of materials. The main portfolio of Escentric Molecules includes the Molecule line (five perfumes each consisting of a single molecu]]></description>
      
      <category>Fashion</category>
      <pubDate>Fri, 18 Sep 2026 10:53:11 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/a-reason-to-get-close-escentric-molecules-opens-its-berlin-boutique</guid>
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      <title><![CDATA[ADAM MUNNINGS Hosts TRACEY, Your Favorite Party’s Favorite Party]]></title>
      <link>https://magazine.032c.com/magazine/adam-munnings-hosts-tracey-your-favorite-party-s-favorite-party</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/4a1053005cf4ab7a4dbbfb82c1adcc3d426c7e61-3629x2433.jpg" /><br/>Deep in what feels like an endless maze of rooms, I glance at the time: 8:31 am. Everyone around me is still dancing as if it’s their last. Someone dressed up as the Easter bunny is making their way through a crowd of some of the most magnetic people I've seen, handing out sweets and fruits - just to hold everyone up a little longer. Yet nobody seems to be performing for anyone but the room itself. Born out of Lunchbox Candy, “your favorite party's favorite party”   has built a reputation on nights that run past the point of reasonable endurance - up to twenty-four hours inside two of Berlin’s queer nightlife forerunners ÆDEN and Kreuzwerk. Dance floors are elaborate and themed to get lost in, performances and workshops blur into the crowd until nobody can tell who came to watch and who came to be watched. No phones. No recordings. Just analog cameras permitted only at the door, which is to say: whatever happens inside stays roughly where it happened, in the bodies that were there for ]]></description>
      
      <category>Music</category>
      <pubDate>Fri, 11 Sep 2026 08:45:53 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/adam-munnings-hosts-tracey-your-favorite-party-s-favorite-party</guid>
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      <title><![CDATA[032c Pyrate Radio: fka.m4a]]></title>
      <link>https://magazine.032c.com/magazine/032c-pyrate-radio-fka-m4a</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/484462781fac1704c2149368a524b7e1e26fc21b-8000x4500.jpg" /><br/>The next episode of 032c Pyrate Radio features local DJ and producer  . Though best known for his emotive and euphoric dance music, the artist veers into new terrain at the 032c Store on Kantstrasse with an experimental, ambient, and IDM set inspired by stillness. Available on  , where you can also listen back to the first two episodes of Pyrate Radio featuring  Plaid — Silversum
Metamatics — Giant Sunflowers Swaying In The Wind
Monkey Safari — Goodbye
Color Filter, Sweet Trip — The Stars Above Me
Brothomstates — Mdrmx
Telefon Tel Aviv — Fahrenheit Fair Enough
Floating Points — Environments
Rufus Odobata — Lost
RasimF — Sleep My Hero
Infinitesimal — Cosmic Trinity]]></description>
      
      <category>Music</category>
      <pubDate>Thu, 10 Sep 2026 14:15:13 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/032c-pyrate-radio-fka-m4a</guid>
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      <title><![CDATA[Objects of Our Time: ASICS NOVABLAST™ 6, or What a Running Shoe Can Tell Us About Wellness Culture]]></title>
      <link>https://magazine.032c.com/magazine/objects-of-our-time-asics-novablast-tm-6-or-what-a-running-shoe-can-tell-us-about-our-wellness</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/22ceb3720577d8610e10d1515b9b91f224e57880-2502x3684.jpg" /><br/>From the sculpted heel and thick midsole, you’d imagine a heavier shoe. The first glance at a successful design, however, is often deceptive. The bulk of the midsole is composed of a lightweight cushioning foam, while the forefoot contains a trampoline pod designed to provide a more responsive, spring-like sensation. This is a soft-feeling shoe for a hardcore routine.
 The shoe under consideration is the ASICS NOVABLAST™ 6—an emblematic object of our culture’s discourses around wellness, physical activity, and the optimal routine. Ever since the founder Kihachiro Onitsuka workshopped the company’s first pair of basketball shoes back in 1950, ASICS has envisioned products that sustain the athlete’s commitment to their daily craft. In line with the tradition, the ASICS NOVABLAST™ 6 are designed to energize every kind of run that can fit in a dedicated routine. The ecstatic run. The golden-hour run. The ugly-cry run. The marathon-prep run. The I-just-got-home-from-work-and-I-have-to-make-]]></description>
      
      <category>Fashion</category>
      <pubDate>Thu, 10 Sep 2026 10:45:51 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/objects-of-our-time-asics-novablast-tm-6-or-what-a-running-shoe-can-tell-us-about-our-wellness</guid>
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      <title><![CDATA[Dr. Emi Arpa x 032c Launch their Limited Product of the Season]]></title>
      <link>https://magazine.032c.com/magazine/dr-emi-arpa-x-032c-launch-their-limited-product-of-the-season</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/72a76b8b38a1025ff06d0f83fa6550bc8db71abd-864x1006.png" /><br/>Tied as a bandana, folded as a top, or fastened to a bag, the luxurious satin of the scarf is just the right fabric for the last stretch of summer. A hardcore wellness icon long-known to 032c readers, Dr. Emi has also imagined the scarf as an elegant source of protection of the scalp from the sun. Not to mention the carré is an interesting read, reprinting the interview with Dr. Emi from  members, the scarf is included with any purchase above 200€. For everyone else, with any purchase above 250€. Don’t sleep: Just like last year's sun hat, this scarf is only available in limited quantities and foreshadows another product launching soon.]]></description>
      
      <category>Fashion</category>
      <pubDate>Fri, 04 Sep 2026 11:31:38 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/dr-emi-arpa-x-032c-launch-their-limited-product-of-the-season</guid>
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      <title><![CDATA[Nostalgia Reliquaries: Andrew Durbin Revisits the Afterlife of Peter Hujar and Paul Thek]]></title>
      <link>https://magazine.032c.com/magazine/nostalgia-reliquaries-andrew-durbin-revisits-the-afterlife-of-peter-hujar-and-paul-thek</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/5fceebc688bb52397f7793515637fd7ed456abc0-1646x2522.jpg" /><br/>culminated in a full-scale effigy of himself: dressed up in a pink suit, cradled in a pink ziggurat, at long last delivered from the machine age and its debasement of art and feeling. A portrait of him working at his own wake — one of the few remnants of the piece itself — was taken by Peter Hujar, his life-long, if flitting, lover and kindred spirit. “He dreamed of escape because there was none,” Andrew Durbin writes about Thek’s  , the sculpture that rendered Thek an innovator in the bounds of installation art (a credential that faded out into anticlimactic obscurity a few years later). His geographical inconsistency and shirking of the rites his milieu demanded of him reduced Hujar’s lover to what Susan Sontag dubbed as a ‘footnote.’ Peter Hujar, with his tenuous connections to the art world in his lifetime, gained full-fledged recognition only in the mid-aughts, along with the mass reorientation towards the AIDS crisis and its artistic bequest. The only book published before his de]]></description>
      
      <category>Culture</category>
      <pubDate>Fri, 04 Sep 2026 09:25:32 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/nostalgia-reliquaries-andrew-durbin-revisits-the-afterlife-of-peter-hujar-and-paul-thek</guid>
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      <title><![CDATA[MOTH MAN]]></title>
      <link>https://magazine.032c.com/magazine/moth-man</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/f0912659cf05d70f74466242b4e7fffddb30c8b4-1774x1180.png" /><br/>jacket UNVAIN, denim NO FAITH STUDIOS, bracelet CHROME HEARTS "Moths may not be the most delicate creatures, but they always come close to the light,"   explained to me when I asked about the origin of his fascination with the animal. Ever since he announced his latest EP  , moths are on his album covers, in his stage designs, his lyrics, his language, his merch. Somehow the moth signifies everything. Moths are creatures of the in-between, and it's a condition Souly seems to chase in the music itself, that genre-fluid, flickering sound between rap and trap; but also on the level of his persona, in which you discover his melancholic "loser" sound transform into a raging, incandescent rap artist at any given time. It's fascinating to watch him develop his own aesthetic with a certain calmness, always seeming to evolve his own work in a surprising way. His precise vision has now taken shape in his own festival called  , celebrating its debut this Friday in Hannover, where Souly acts not o]]></description>
      
      <category>Fashion</category>
      <pubDate>Thu, 27 Aug 2026 15:50:00 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/moth-man</guid>
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      <title><![CDATA[Lucio101: Resilience and the New German Rap Scene]]></title>
      <link>https://magazine.032c.com/magazine/lucio101-resilience-and-the-new-german-rap-scene</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/716ef4a7a38a4833e3b2c28d81c56f4d0c366137-3543x2657.jpg" /><br/>A deep-seated voice that rumbles along with gravel and gravitas is, for some musicians, the primary gift. It can either project a hypnotic authority or serve as the passport stamp for an artistic persona. Underwriting his scorched-earth rhythms on Berlin's Rosenthaler Platz, a  has become the hallmark of the rapper and Mitte-native Lucio101 as his star has risen in the German rap scene.
 In some ways Lucio’s ascent has been unusual. Few figures have built their reputation on Mitte street corners, a neighborhood that often signals the destination of a work commute or acts as a byword for a post-cool Berlin. Ever since the 2016 release of the sleeper hit “A oder B” on SoundCloud while still a teenager, Lucio has spent his career excavating an alternate history of the city center with a calculated nonchalance. In “Parkplatz,” a single released amid the summer’s heatwave slump, Lucio dishes in a blasé monotone about stashing a gun in his girl’s Chanel handbag and the cashflow ennuis of a n]]></description>
      
      <category>Music</category>
      <pubDate>Wed, 26 Aug 2026 15:44:00 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/lucio101-resilience-and-the-new-german-rap-scene</guid>
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      <title><![CDATA[Between Heaven and Hell, Glaive is Alive and Well]]></title>
      <link>https://magazine.032c.com/magazine/between-heaven-and-hell-glaive-is-alive-and-well</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/98949116c3a97782ed5b2ef4642806f152bf2939-3085x2190.jpg" /><br/>Growing up in Hendersonville, North Carolina, in the eye of the Bible Belt where there are more churches than gas stations, Ash Blue Gutierrez, more commonly known to the world as Glaive, questioned his faith. South of the border, west of the sun, where the grass grows tall, and the children grow Protestant, Gutierrez queried the mundane. At fourteen, shying away from small-town semantics, Gutierrez found solace in music, spending his days experimenting with loud electronic sounds, prolific writing, and pre-pubescent wails. He was a peculiar mind surrounded by patron saints and retirees, but absorbed by high-BPM nightcore remixes. On his 2023 debut album  , he belted suicide notes as song lyrics into the microphone and thanked himself for not taking his own life. His newest solo album,  a twisted love letter to Hendersonville, confirmed his ability to transform teenage anguish into a moshpit for kids equally scared and confused by the world to find themselves in. Now twenty-one years y]]></description>
      
      <category>Music</category>
      <pubDate>Tue, 25 Aug 2026 15:58:00 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/between-heaven-and-hell-glaive-is-alive-and-well</guid>
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      <title><![CDATA[032c Pyrate Radio: Rosa Pistola ]]></title>
      <link>https://magazine.032c.com/magazine/032c-pyrate-radio-rosa-pistola</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/5e7ac0ac9fddb946b1a8ca056708be9d910e908d-8000x4500.jpg" /><br/>032c Pyrate Radio continues with Rosa Pistola, a Colombian-born DJ and producer who specializes in underground reggaeton, guaracha, tribal, cumbia, merengue, funk, and dembow. Earlier this summer at the 032c Store on Kantstrasse, she veered from her signature club sound in an experimental new set, in which she explores percussive music from Latin America and beyond. Available on  Nídia & Valentina — Mata
ABADIR — Drifting Rituals
Yung Singh — Situationz (Raw Mix)
Rosa Pistola — Teonanacatl
Nídia & Valentina — Nasty
Rosa Pistola — Niquitoa
K-LONE — Drumz!
Obeka — Bongo Fevah (BBY FANGZZZ Remix)
Lao — Chapultepec
Clap Freckles — Rey
El Chico Callado — Trabant
Obeka — Bongo Fevah
Freebot — La llama habla
Javier Estrada — Luna Morada
Guedra Guedra — Ring of Fire
Dj Fucci — Xolotl]]></description>
      
      <category>Music</category>
      <pubDate>Thu, 20 Aug 2026 13:30:00 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/032c-pyrate-radio-rosa-pistola</guid>
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      <title><![CDATA[The Perfect Storm: The Deftones Phenomenon]]></title>
      <link>https://magazine.032c.com/magazine/the-perfect-storm-the-deftones-phenomenon</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/02322f1f98cfc41d7b8cfff1144e00b10ec5acc7-4027x4843.jpg" /><br/>With technology dictating new musical realities, what’s “new” is no longer relevant – all that matters is what resonates. Born in a Sacramento garage in 1988, Deftones anticipated the needs of an internet-native generation searching for meaning in the pre-internet past. By making music that serves as an antidote to algorithmic malaise and insincerity, the band has redefined what constitutes a youth-culture phenomenon – all while in their 50s. In the 032c archive, we highlight the best pieces from over 25 years of printmaking. With text by Cassidy George, photography by Jack Bridgland, and creative direction by Tal Midyan, this cover feature for   (Winter 2025/26) is a deep dive into the Deftones phenomenon. Limited copies of  At an eerie, abandoned parking lot in suburban America, a Latina teen walks through a violent thunderstorm at night. She moves in slow motion as pellets of rain plummet toward her – and the lens of the camera filming her – at a 45-degree angle. Over-ear headphones]]></description>
      
      <category>Music</category>
      <pubDate>Thu, 20 Aug 2026 11:29:00 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/the-perfect-storm-the-deftones-phenomenon</guid>
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      <title><![CDATA[Bret Easton Ellis's The Shards Comes Alive through Hayes Warner]]></title>
      <link>https://magazine.032c.com/magazine/bret-easton-ellis-the-shards-comes-alive-through-hayes-warner</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/8ce895e82fe625712418bbafb376405ebe2a82ee-1206x788.jpg" /><br/>The first time is always a little scary. A TV debut is nerve-wracking enough for any aspiring actor, but making that debut in a new Ryan Murphy series is a different story entirely. It’s fitting that Hayes Warner’s acting debut, in the latest Murphy series  , comes with its own sense of vertigo as it toes the line between glamor and horror. , Murphy adapted the Bret Easton Ellis novel into a California gold-drenched drama about a group of polished, privileged high schoolers, one of whom is a serial killer. Hayes plays Debbie Schaffer, a doll-like rich girl in love with the secretly gay protagonist Bret. While Debbie busies herself building a porcelain-perfect empire and dreaming of becoming a dancer, her boyfriend is preoccupied with fantasies of Robert, whom he believes to be the town's serial killer. Warner definitely shares her character’s ambition. Most probably know the NYC native through her music: the term “up-and-coming” barely still applies to her ascent through the pop charts]]></description>
      
      <category>Culture</category>
      <pubDate>Wed, 19 Aug 2026 09:33:00 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/bret-easton-ellis-the-shards-comes-alive-through-hayes-warner</guid>
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      <title><![CDATA[In an Age of Visual Excess, a Mirage: Paloma Wool]]></title>
      <link>https://magazine.032c.com/magazine/in-an-age-of-visual-excess-a-mirage-paloma-wool</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/fd1814c5a3853ca476772bb78bfff183d7943f30-1800x1200.jpg" /><br/>Throughout my Zoom talk with Paloma Lanna, founder of Paloma Wool, her answers kept tapering off into one concluding sentence — “ There is something ancestral about Paloma Wool not immediately visible—the genes of the business have traversed Lanna's family line like an eye color. In her teens, Lanna got her start in the fashion business at her parents’ label, Nice Things where her mother served as the creative force and her father as the head business honcho, a corporate model replicated between Lanna and her husband today. A generation further back, Lanna’s grandparents were proponents of vibrant, idiosyncratic fashion in the designer’s hometown of San Sebastián, despite the austerity of Franco’s Spain. Her mother, also named Paloma, pieced together the future fashion empire from the family’s small boutique. And what of the empire's heirloom today? Serpentine queues gather outside the brick and mortar stores of Paloma Wool in LA, New York, Paris, London, and Barcelona alike. The fitti]]></description>
      
      <category>Fashion</category>
      <pubDate>Thu, 13 Aug 2026 13:26:00 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/in-an-age-of-visual-excess-a-mirage-paloma-wool</guid>
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      <title><![CDATA[LIFE, WHERE WE FROM, TEACHES US TO BE PATIENT ]]></title>
      <link>https://magazine.032c.com/magazine/life-where-we-from-teaches-us-to-be-patient</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/02232faec925ecab61c1c5ee0381aa3520854f66-1737x2591.jpg" /><br/>But we learn to keep our head steady, stay true to ourselves A melancholy lives not only in these lyrics but in the weathered voice of the man on record. When I ask the rapper Zackavelli aka Masi—Masi is his producer alias as well as his nickname among friends—about opening the EP with the spoken word of an older man, he explains that he recorded the voice of a close friend’s father. Though for Masi choosing a favorite song is like picking a favorite kid, he says that the Intro carries a special weight for him personally: the man with this deliberate and heavy voice came to serve as a father figure for him, too, during his childhood in Kreuzberg. unspools as a stream of consciousness about the rapper’s evolving relationship to his childhood friends and the SO 36—the necessity, as he depicts on the track "Halbe Stunde", of having to go up when you come from the very bottom. But the dose of nostalgia that accompanies this origin story doesn’t prevent him from letting loose with the catch]]></description>
      
      <category>Fashion</category>
      <pubDate>Tue, 11 Aug 2026 14:10:45 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/life-where-we-from-teaches-us-to-be-patient</guid>
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      <title><![CDATA[032c Pyrate Radio: swedm® – THE LAUNCH ]]></title>
      <link>https://magazine.032c.com/magazine/032c-pyrate-radio-swedm-the-launch</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/06d1e443b6f262d38bba47b518dbb841d6863abc-8000x4500.jpg" /><br/>The 032c universe is a place for FREEDOM, RESEARCH, and CREATIVITY, and like any universe, 032c is expanding. Since our founding in 2000, 032c has evolved into a multimedia entity, branching into events, starting a ready-to-wear line (that has shown at Paris Fashion Week), and opening a gallery space in addition to our storefront on Kantstrasse. This year, we are pleased to announce the launch of 032c PYRATE RADIO, with a debut episode featuring a DJ set by swedm® – a collective that includes  Quality music coverage is foundational to our editorial practice, and as a Berlin-based magazine, 032c’s connection to the world of electronic music has always been strong. It is a consistent subject of fascination for both our team and our readers around the world. As the tyranny of algorithmic streaming platforms increasingly devalues music and erases the role of human artistry in its creation, 032c feels now, more than ever, the need to create a space for play, spontaneity, and experimentation]]></description>
      
      <category>Music</category>
      <pubDate>Tue, 04 Aug 2026 10:58:00 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/032c-pyrate-radio-swedm-the-launch</guid>
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      <title><![CDATA[Constance Debré Rewrites the Criminal Justice Novel ]]></title>
      <link>https://magazine.032c.com/magazine/constance-debre-rewrites-the-criminal-justice-novel</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/80491a6cb550d1d8f17853c3c27b7bc1949356a1-1410x934.png" /><br/>Having moved to a bachelor pad the size of “a monk’s cell,” the narrator of Constance Debré’s   likens her coming out as a lesbian to Saint Augustine’s conversion to Christianity: each act excavates a selfhood from which to view the world. Despite its pivot in subject matter,  Debré’s recently translated work about a murder trial in a deprived Parisian banlieue, exudes the same theological resonance as the tales of Sapphic stoicism that won her literary fame.  draw on her abandonment of heterosexual family life, the plot of   might have taken its cue from the author’s previous career as a defense attorney. Indebted to a drug dealer, the nameless nineteen-year-old protagonist stabs his neighbor in the neck during an attempt to steal her credit card. In impressive service to the rhythm of the original, Jeffrey Zuckerman’s translation aptly renders the gory staccato of the opening’s crime scene prose (“Her eyes are half-shut her mouth is open her tongue is purple [...] Her right ear has a]]></description>
      
      <category>Culture</category>
      <pubDate>Mon, 03 Aug 2026 10:04:00 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/constance-debre-rewrites-the-criminal-justice-novel</guid>
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      <title><![CDATA[ ZÜRICH: BENEATH RESTRAINT, A RIVER OF DESIRE ]]></title>
      <link>https://magazine.032c.com/magazine/zuerich-beneath-restraint-a-river-of-desire</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/707bdd63ddc705c19fba657a33574c4517fccb37-1280x853.jpg" /><br/>It shouldn’t be all that hard to have a nice time in Zürich. After all, the Swiss city sits on a lake and is nestled into an idyllic Alpine landscape. I've always imagined life there to be pleasant, but also a bit stuffy. When you come from a city where people tend to draw their creativity from friction, excess, and chaos, anything that seems to convey moral restraint seems boring. But in Zürich, a river of desire flows beneath the ethos of restraint. It surfaces in the motorcycles gathered above the lake at Outlook Waid, in the bodies suspended over the Limmat, in the smoke collecting amid the industrial concrete of Escher Wyss, shadowed by the glassy austerity of Prime Tower. Zürich was built on the management of excess, not its suppression. I had only seventy two hours there, but these were accompanied with the best possible guides at my side: Zürich Tourism on the one hand, and Pierluigi Macor on the other, driving me around town in his vintage Jaguar, the city revealing itself to ]]></description>
      
      <category>Fashion</category>
      <pubDate>Sat, 01 Aug 2026 15:32:00 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/zuerich-beneath-restraint-a-river-of-desire</guid>
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      <title><![CDATA[Always a Threat: Young Boy Dancing Group]]></title>
      <link>https://magazine.032c.com/magazine/always-a-threat-young-boy-dancing-group</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/c5d248a57563f107786afef4d9e946caefc239c5-1440x2160.jpg" /><br/> me out or released euphoric endorphins, but I’ve never felt like something bad might happen just by being there. That is until I saw Young Boy Dancing Group in a warehouse on the outskirts of Warsaw, where the Zurich-based group threw chairs at one another, walked in each other’s mouths, and shot lasers out of their asses at the audience’s eye level. None of this made me really worried, I just felt a latent sense of threat. But when the cast started to tear apart the contents of garbage cans from the impromptu bar and started to disperse them, I did start wondering where this would end. Though choreographed, their performance at Ephemera—one of Europe’s most carefully-curated and compelling festivals  (masterminded by  Founded in 2014, the experimental performance and dance collective has performed at major international festivals and venues for more than a decade. Recently, they were also tapped by Madonna for her project  . And despite Young Boy Dancing Group shunning the press, I e]]></description>
      
      <category>Interview</category>
      <pubDate>Thu, 30 Jul 2026 13:41:00 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/always-a-threat-young-boy-dancing-group</guid>
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      <title><![CDATA[COMING SOON: 032c for HBO Max]]></title>
      <link>https://magazine.032c.com/magazine/coming-soon-032c-for-hbo-max</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/0df7ae4a9aec96b574519fbbb6a8357c6446470c-1280x854.jpg" /><br/>One could be quick to disregard it, but cultural programming is (and has been) one of the ultimate forces determining what comes into plain view. What happens once two cultural mainstays converge? In our new editorial, shot by ELA KLINGLER and styled by FRANKA ROSA MARIA KLAPROTH, we tease a possible answer. Hoodie 032c for HBO MAX jeans and boxers DAGGER cap MODEL'S OWN  T-shirt 032c for HBO MAX joggers DAGGER cap MODEL'S OWN ]]></description>
      
      <category>Fashion</category>
      <pubDate>Wed, 29 Jul 2026 10:16:00 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/coming-soon-032c-for-hbo-max</guid>
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      <title><![CDATA[Josiane M.H. Pozi: “The Only Thing I Know Is How I Feel”]]></title>
      <link>https://magazine.032c.com/magazine/josiane-m-h-pozi-the-only-thing-i-know-is-how-i-feel</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/40647109aacc3f43a28b1ddcc54af3e021784efb-3375x4500.jpg" /><br/>The London-based artist Josiane M.H. Pozi says her first solo institutional exhibition “feels like live editing.” In the Beaux-Arts building of New York’s American Academy of Arts and Letters, “In Pursuit of Feeling” hijacks routine choreographies with the mediated world and stages an exhibition one might navigate as a game, or a program. Lily Kwak spoke to the London born-and-bred artist about structural film, sonic knowledge, and making a work the size of a button. Lily Kwak: When I walked into your exhibition, the first thing I encountered was a door, slightly ajar, and a computer connected to an entrail of cables that leads out to the first exhibition room. I began imagining you, the artist, behind the computer, producing the sound that’s omnipresent throughout the show and the videos that splay across the room and jump around in a sequence, sort of like a playlist. It felt wonderful to feel the intimacy of your imagined presence behind the door, and to observe and navigate a syste]]></description>
      
      <category>Art</category>
      <pubDate>Wed, 22 Jul 2026 14:33:00 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/josiane-m-h-pozi-the-only-thing-i-know-is-how-i-feel</guid>
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      <title><![CDATA[Requiem for a Meme: Elan Alexander Presents LooksMAXXING]]></title>
      <link>https://magazine.032c.com/magazine/requiem-for-a-meme-elan-alexander-presents-looksmaxxing</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/5e1b7fe191832cbcf8d357bbf327781fc506deff-3024x4032.jpg" /><br/>Terence McKenna presciently construed our zeitgeist as “so weird that people are going to have to talk about how weird it is.” While this weirdness is actively washing over our feeds and spilling into our hyperreality, Elan Alexander's   (2026) investigates it straight from the eye of the storm. Condemning our era's bleakness has lost some of its discursive momentum, largely because everything unfolds simultaneously and our capacity to denounce it fails to keep pace. But let us linger for a moment on the phenomenon from which Alexander's short takes its name. A few years ago, boys injecting hormones to the point of impotence and (literally) smashing their bones as part of an arcane beauty pursuit would have sounded like a ludicrous Netflix Original premise. Today, a ritualistic subculture once confined to the viscera of obscure online forums, sheltered from gratuitous scrutiny, has metastasized into a common practice among those most vulnerable to social pressure. Unsurprisingly, a 202]]></description>
      
      <category>Culture</category>
      <pubDate>Mon, 20 Jul 2026 11:28:00 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/requiem-for-a-meme-elan-alexander-presents-looksmaxxing</guid>
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      <title><![CDATA[Brenda's Business with HEIDI KLUM]]></title>
      <link>https://magazine.032c.com/magazine/brenda-s-business-with-heidi-klum</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/c2b98b64f2f90285b5bf6c68cc331cf99f44402e-399x600.jpg" /><br/>If you are ever asked to list things associated with German cultural heritage, you can look to official sources, which often recommend places such as the Aachen Cathedral, Berlin’s “Museum Island,” and buildings associated with the Bauhaus. More unofficial tips about German culture might reference its people’s habits of being on time, respecting the rule of law and order, honesty to a sometimes hurtful degree, and iconic exports such as sausages, Berghain, and, of course, Heidi Klum. Few have managed to become both a famous national export and a permanent resident of German pop culture in the way that Heidi Klum has. In a world where attention spans collapse faster than startup valuations and cultural relevance changes with every scroll, the model-turned-businesswoman and host of  has maintained a level of fame over the past three decades that feels almost structurally impossible today. I interviewed Klum over Zoom, where she preferred to keep her camera off—a choice that can easily fl]]></description>
      
      <category>Culture</category>
      <pubDate>Thu, 16 Jul 2026 11:28:00 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/brenda-s-business-with-heidi-klum</guid>
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      <title><![CDATA[Belief Over Consensus: Talking to Ebony L. Haynes]]></title>
      <link>https://magazine.032c.com/magazine/belief-over-consensus-talking-to-ebony-l-haynes</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/498a8b957ea99ad8d612b415716c2bc2e7094200-3000x2250.jpg" /><br/>Few curators have shaped the contemporary gallery landscape as directly and decisively as Ebony L. Haynes. First through 52 Walker, the experimental Kunsthalle she founded with David Zwirner, and now as Global Head of Curatorial Projects, Haynes has consistently resisted the art world’s pressure to accelerate, instead creating space for artists, ideas, and audiences to linger. Speaking shortly after returning from the Venice Biennale, she reflects on the artists who continue to inspire her, the intuition that guides her curatorial decisions, and why belief remains a more useful measure than consensus. Corri Greene: You just got back from the Venice Biennale. Where are you mentally right now? Is there an artist, pavilion, or exhibition you keep returning to? Ebony L. Haynes: Yeah, two things jump out the longer I'm back. One is that there felt like a big focus on object-making—not necessarily sculpture in a high-art definition of it, and not quite craft, though I don't really align myse]]></description>
      
      <category>Art</category>
      <pubDate>Mon, 13 Jul 2026 11:54:00 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/belief-over-consensus-talking-to-ebony-l-haynes</guid>
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      <title><![CDATA[Mastering Disruption: Skrillex in conversation with Ecco2k]]></title>
      <link>https://magazine.032c.com/magazine/mastering-disruption-skrillex-in-conversation-with-ecco2k-interview</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/476a10e3c979907a52921ccb9d34c1064cf64e8e-2362x3189.jpg" /><br/>Shirt COURRÈGES, pants GUCCI, shoes ALEXANDER DIGENOVA, jewelry TALENT’S OWN Arguably the most influential electronic music producer of his generation, Sonny Moore consistently challenges existing structures. His discography destabilizes the hierarchies of old and new, kitsch and avant-garde – and dismantles prevailing beliefs about what popular music is, or can be. “FUCK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3” is scrawled in graffiti on the cover art of an album released by Sonny Moore last year. Under that same title, the album is the third full-length Skrillex project Moore has put out in the last three years. Although it was made by one of the most popular electronic musicians alive, it is a 46-minute-long sonic experiment in temporality and song structure, created with fringe sounds and techniques.  feels like riding every attraction at an amusement park simultaneously. It is whimsical, brash, even funny – and it continues the broader legacy of the Skrillex discograph]]></description>
      
      <category>Music</category>
      <pubDate>Wed, 08 Jul 2026 18:32:25 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/mastering-disruption-skrillex-in-conversation-with-ecco2k-interview</guid>
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      <title><![CDATA[SIGNED BY JUERGEN TELLER ]]></title>
      <link>https://magazine.032c.com/magazine/recap-the-juergen-teller-signing</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/5942c2b45a90f78980223e72c0aca550c95598eb-4000x2667.jpg" /><br/>No temperature runs hotter than a Juergen Teller autograph, as not even the hottest day of the year so far could prevent the 032c community from getting their cover signed by the photographer himself. Having photographed Florentina Holzinger for the 49th issue, Teller and his partner, Dovile Drizyte, stopped by the 032c Gallery on Friday, June 26, to celebrate the launch of our summer issue. More than 200 people came by within the hour, while our team kept the growing queue supplied with Heineken beers and water. In case you missed it, fear not. You can still get the Juergen Teller x Florentina Holzinger ]]></description>
      
      <category>Fashion</category>
      <pubDate>Tue, 07 Jul 2026 13:27:08 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/recap-the-juergen-teller-signing</guid>
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      <title><![CDATA[Notes on an Addling Weekend Down at Le Mans ]]></title>
      <link>https://magazine.032c.com/magazine/notes-on-an-addling-weekend-down-at-le-mans</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/e624a7c49eae79d8e36bd74b21292a4492255568-960x1280.jpg" /><br/>“For me, Le Mans almost feels like Burning Man for car culture, just with no drugs and debauchery, I guess. It is really a pilgrimage. People camp in tents next to their BMWs or Ferraris or Ford Fiestas next to the race track. I love sitting on the deserted grandstands at 3 AM and watching the race; the sounds get through your body like at a drone concert. It is the ultimate kinetic sound sculpture. Yet it can break at any time; the cars are pushed to the max in those 24 hours.  Whether your daze derives from the scorching heat, the adrenaline rush, or the unending serpentine soundscape ceases to matter at the nonstop race in Le Mans. Established in 1923, back when Grand Prix racing reigned supreme in Europe, Le Mans has always drawn spectators to the race as much as the constellation of traditions and rituals its dominion evinced. For a brief weekend every year, the forlorn lands of the French Northwest open into a paradise city of almost half a million inhabitants, where there’s no t]]></description>
      
      <category>Culture</category>
      <pubDate>Mon, 06 Jul 2026 11:16:15 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/notes-on-an-addling-weekend-down-at-le-mans</guid>
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      <title><![CDATA[RECAP - The Juergen Teller Signing]]></title>
      <link>https://magazine.032c.com/magazine/the-juergen-teller-signing</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/6f588e2f9b1033b4950a8e97aeeb6c0dfa3a71ce-4000x2667.jpg" /><br/> passed by the 032c Gallery on Friday, June 26, to sign covers and posters. Over 100 people joined us for the exclusive launch of our summer issue in the presence of Teller and his partner, Dovile Drizyte. In case you missed it, fear not. You can still get the iconic Juergen Teller ]]></description>
      
      <category>Fashion</category>
      <pubDate>Fri, 03 Jul 2026 13:41:00 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/the-juergen-teller-signing</guid>
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      <title><![CDATA[Objects of Our Time: Yoon and Verbal’s AP Royal Oak Concept]]></title>
      <link>https://magazine.032c.com/magazine/objects-of-our-time-yoon-and-verbal-s-ap-royal-oak-concept</link>
      <description><![CDATA[<img src="https://cdn.sanity.io/images/wmq4hf8k/production/d1d9c13ac1c6337f30add1fd9154c95b06062efc-1200x1600.avif" /><br/>Lost amid a simultaneous forage for nostalgic sentiment, innovation, and the fuzzword-y  , the circulation of luxury objects is at an impasse. To regain a sense of substance, consumption is often alchemized into cultural affiliation or leveraged by historic sermons that can efficiently uphold their relevance within the global market. Well-aware of this reality, we often close an eye to the processes that furnish our coveted highbrow commodities — because, in all candor, some of them are too successful in holding the fantasy untainted. One such category of objects are luxury watches. Whether it stems from earnest naïveté, novice admiration, or the impassioned confidence of an aficionado, the allure of a timepiece remains somehow inalienable. Regardless of its source, designer-duo Yoon Ahn and Verbal’s take on the Audemars Piguet’s Royal Oak Concept is both an emblem of such fascination and a veto against luxury’s faltering fantasy. Yoon Ahn comes from a design background, whereas Verbal]]></description>
      
      <category>Design &amp; Architecture</category>
      <pubDate>Fri, 03 Jul 2026 13:41:00 GMT</pubDate>
      <guid>https://magazine.032c.com/magazine/objects-of-our-time-yoon-and-verbal-s-ap-royal-oak-concept</guid>
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